![]() Select the Pixel Aspect Ratio dropdown menu and navigate to the Cinemascope option. Scroll to the Clip Attributes tab and click on it. ![]() Highlight all of the anamorphic footage in your project and right click in the media pool area to bring up the menu settings. You will notice the footage looks boxed in. Locate the media on your computer and add it to the media pool as per usual. A Simple Fix – Getting Anamorphic Material to Display Properly If you’d like to view the material in it’s proper format there is a quick process that isn’t exactly self evident. If you go through the usual process of locating the media on your computer, loading the source clips into the media pool, and viewing the footage you will notice the problem.Īll of the clips will appear to be letter-boxed. The biggest issue you will have with anamorphic footage inside of Resolve is the software will not automatically recognize the aspect ratio of the source material. If that is the case you may run in to a few newcomer gotchas before you even get started.Įvery finishing software ( DaVinci Resolve, Assimilate Scratch, Baselight, & so on) deals with source material in it’s own way and for our purposes let’s concentrate on DaVinci Resolve. The Anamorphic Conform- The Biggest MistakeĪs budgets at the mid to low end are falling you may find yourself trying to conform anamorphic footage in DaVinci Resolve or, even worse if you are inexperienced, doing a selfie DI. The major players work with digital anamorphic footage on a daily basis so they know how to process the files. In the cinema world the anamorphic format has been around for decades and professionals understand the workflow. Capturing anamorphic footage is easier than ever with most modern high end digital cameras capable of recording in either 4:3 or 6:5 modes. Anamorphic imagery can set your project apart and add an extra element to the visual language of your work.
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